The rule of thumb in this film blogging world of ours is, what goes up must come down. In other words, any trailer that finds itself premiering on YouTube can only find itself taken down from YouTube. So, for now, let us offer you what appears to be the teaser for this winter's big-budget remake of The Day The Earth Stood Still, in which an alien visitor (Keanu Reeves) gives us Earth denizens a hefty heads-up that if we don't straighten up our act, he and his giant robot friend will do it for us ...
Now, I may or may not be entering spoiler territory with this following paragraph, so feel free to skip it (in that case, long story short: also stars Jennifer Connelly and due in theaters on December 12th) -- BUT, from what I can recall reading at one point, our main man's angle this time around is not concerns of nuclear warfare (that's SO 1951!), but rather more environmentally-fixated priorities. Who knew that between this, WALL-E, and The Happening that the big H'wood cared so much about the state of our planet.
On the other hand, pitched properly, green can only equal more green in their eyes.
Even the weirder artists of the twentieth century have been attracted to the allure of Hollywood filmmaking, and Salvador Dali was no exception. In the fall of 1941, the surrealist painter hosted a masquerade party at Pebble Beach during one of his regular visits to the town. Called "Surrealism Night in An Enchanted Forest," the fundraising event, intended to assist European refugee artists, brought out a number of stars, including Bob Hope and Ginger Rogers. It was here, the story goes, that Dali became attached to a major studio production called Moontide. The great German emigre Fritz Lang was hired to direct the movie, and asked Dali to create a three-minute nightmare sequence for the film. Unfortunately, after the incident at Pearl Harbor later that year, Twentieth Century Fox deemed the project too bleak. Lang was replaced, and Dali's nightmare sequence went with him.
Although inspired by the movies, Dali didn't always have the easiest time making them. He would get another chance to inject his hallucinatory vision into American cinema with the hypnosis scene in Alfred Hitchcock's Spellbound, but it's his unrealized projects that truly indicate the scope of the painter's ambition. So many ideas, such little time. Dali: Painting and Film, a breathtakingly unique exhibit currently on display at the Museum of Modern Art in New York, surveys Dali's completed cinematic works in addition to tidbits from the ones that never came to fruition. Marvelously structured to show how his paintings were intentionally cinematic, the exhibit contains all the obvious highlights from Dali's movie career alongside lesser-known productions. The importance in film history of his collaborations with Luis Bunuel remain uncontested; two large screens in separate rooms showing Un Chien Andalou(where the opening eye splicing retains its original gross-out impact) and L'Age D'Orattest to that. Fewer visitors, however, might know about Dali's collaboration with the Marx Brothers on a deliriously strange movie that sounded too good to be true.
Not three weeks ago, I made first mention of a brief and bland teaser for the forthcoming horror film, Mirrors. Now, along comes IGN Movies with a red-band trailer that, at first, didn't do much for me. Blah blah blah, Jack Bauer as security guard for old department store, blah blah, former guard grew obsessed with surrounding mirrors, blah blah -- look, even Amy Smart is yawning after all that exposition.
Oh, did I say 'yawning'? I meant 'tearing off her own jaw'. Yes, while we still seem to be saddled with a fairly ridiculous premise that's seen better and worse days, there's modest comfort to be taken that the R rating ain't exactly being shied away from. Let's face facts here, people: all it takes sometimes is a couple of nifty death scenes to make movies like this that much easier to stomach (well, some might argue the opposite).
If the sequel to Night at the Museum wanted to retain the level of accuracy seen with the original, it would have a Chinese actor playing Russian Czar Ivan IV (aka Ivan the Terrible). But while I'm sure there will still be historical errors abound in Night at the Museum: Battle of the Smithsonian, the honor of playing Ivan has gone instead to pale-enough actor/filmmaker Christopher Guest (Best in Show), according to the Hollywood Reporter. And since Guest is actually a far more serious man than you'd expect, despite all those silly mockumentaries he writes and directs, here's hoping he studies his Eisenstein for inspiration.
The sequel is currently filming in Vancouver, which seems a bit far away from the actual Smithsonian Institute, but reportedly the production will have access to shoot a few scenes in the actual museum, which is located in Washington, D.C. Maybe it will actually look like it takes place there, too.
So, who's going to San Diego Comic Con this year? Are you excited? Pumped up? Mildly interested? Pretending you don't care in order to impress someone of the opposite sex, but deep inside really do care and, as such, are counting down the seconds? It's okay, we're friends -- we can talk. This year, myself, Scott Weinberg and Elisabeth Rappe will be on the ground at Con representing Cinematical, and I think I speak for all of us when I say we're ready to get our geek on.
Aside from the very cool Masters of the Web Panel on Thursday morning (7/24) at 10am (which yours truly will take part in), we've been anxiously waiting to see which studios show up and with what product. Looks like Fox was first out of the gate, as I've been told they'll be there with bells on ... along with panels for Max Payne (Mark Wahlberg, John Moore and Mila Kunis expected to attend so far) and The Day The Earth Stood Still(Keanu Reeves, Jennifer Connelly, Scott Derickson and Erwin Stoff expected to attend so far). There will also be an advanced screening of The Rocker, with Rainn Wilson in attendance for a Q&A. Of course, this is all tentative until everything is finalized next month.
On the other hand, Anne Thompson brings us the unfortunate news that Paramount will not be hosting a panel or bringing any stars to this year's Con. Apparently, a Paramount spokesman told Thompson that "the timing was off this year." Thus, fans will miss out on potential presentations of G.I. Joe, Star Trek, Transformers 2 and The Last Airbender. Sucks. Though you never know ... plans may change and there could still be a surprise or two. Here's hoping we get something, anything, from one of these highly-anticipated films.
UPDATE: Paramount's fishin' around today, so I don't think they're out just yet. More when we know ...
With two of four Futurama movies now behind me, I think I have the formula figured out. If the first flick -- the very amusing Bender's Big Score! -- was a patchwork and episodic affair, then at least it was a choppy good time. It was great seeing the old Planet Express crew in their resurrected form, but since the film was made with perforations ... it was a little bit of a mess. (Basically, each of the four new Futurama flicks were made to be split into four television episodes apiece. And it really shows.)
So there's my biggest and most basic complaint about Bender's Big Score! and doubly so for Movie #2: The Beast With a Billion Backs. That the writers and producers were asked to create four modular-style movies when the fans were pretty much expecting "normal" movies. The kind with three cohesive acts and what-not. Such is definitely not the case with the first two Futurama flicks -- and I expect that it's a slight malady that will continue across Bender's Game andInto the Wild Green Yonder.
So with that obvious complaint out of the way, I can also say that Futurama Movie #2 is really funny, chock-full of unexpected surprises, stunningly animated, and an absolute treat for the old-school fans. If the movie feels more like four inter-connected mini-stories than one big "movie movie," then oh well. It's still great to see the Futurama gang back in action. Especially because they're still so damn funny.
Will.i.am, one of the biggest casting surprises in X-Men Origins: Wolverine has come forward to MTV to talk about his role in the film. It isn't much, but his enthusiasm is infectious, and the movie set sounds like a really happy one. Everyone, from the extras to the stars, has had nothing but good things to say.
If you remember from our announcement way back in February (incidentally, the second post I ever wrote here -- wow!), Will.i.am is playing John Wraith, aka Kestrel. Wraith is a teleporter, and one of those unlucky men chosen to be genetically tweaked by Weapon X. From the sound of it, his character has been left true to the comics. "I'm a teleporter ... I'm here, I'm there, I'm everywhere. Boom, boom, boom!" Will revealed. "My character's name is John Wraith. He's a black Texan. He's not a cowboy, but his gear suggests that he is. He's just a badass who'll whoop your ass."
I wish I could have spent a day on this set, because the machismo and testosterone was obviously running high. Will revealed that one fight scene left a permanent impression. "You see that little scar I've got on my knuckles? I'm a newbie when it comes to big action films and stuff ... It was my fight scene. I was real into it, and then I missed my mark, and I punched the camera and broke the lens! But that goes to show you, I ain't to be messed with, because I break lenses!"
To read (or watch) the rest of the interview, head on over to MTV. X-Men Origins: Wolverine opens May 1st, 2009.
It looks like things are getting pretty destructive on the set of the video game adaptation, Max Payne. Slash Film has new on-set photos for John Moore's (The Omen) crime thriller starring Mark Wahlberg as the undercover cop and noir hero; and even though Wahlberg doesn't make an appearance in this latest batch, (you can see him in full scowl here), we do get a glimpse of the action that Moore has planned.
Payne originally centered on an undercover DEA cop whose family had been murdered by a gang of junkies. In a hunt for revenge, he becomes obsessed with tracking down the crime family running the drug racket in big bad New York City. Beau Thorne's script kept some of the game's original story, but has changed some details for the big screen. Now, years after the loss of his family, Payne notices similarities between what happened to his wife and child, and a series of gruesome murders taking place. Some of the characters from the game series that will be making an appearance in the film are Mona Sax (played by Mila Kunis), mob-boss James Lupino, and veteran cop, B.B. Hensley (played by Beau Bridges).
There are still some concerns from fans that Moore will be aiming for a PG-13 rating, and I still can't get my head around that decision. Why even bother bringing a shoot-em up game like Payne to the screen if you are going to cut out half the fun?
Max Payne is expected to arrive in theaters on October 17th.
For the Silver Surfer fans dying to see his spin-off movie, this will come as a bitter disappointment. AMC's SciFi Scanner caught up with J. Michael Straczynski and asked him about the status of his Silver Surfer script. Not surprisingly, it is in the dead zone.
"Whether or not it ever gets made, I don't know, because they were kind of disappointed in how Fantastic Four 2 did. And given how this will be a subset of FF2 in terms of the marketing strategy, I think there is hesitation there about putting it forward. The script is pretty good, I like it, but whether or not it goes into production, I have no idea." Silver Surfer would have taken place minutes after Fantastic Four 2 ended, and his surfboard raced back to his open arms. "You find out why Silver Surfer was there and what happened to him. We would have seen Galactus, his home world, what happened and him trying to get back there, because now that he's betrayed Galactus, he's concerned his home world might be in jeopardy."
I guess we won't be seeing the first female President of the United States in 2009, but we could at least see the first female cinematographer nominated for an Academy Award (in the cinematography category, that is). In the 80 years of the Oscars there hasn't been one female nominee for Best Cinematography. Shocking, isn't it? But fortunately there's a chance for next year's ceremony: Mandy Walker, who shot Baz Luhrman's war epic Australia, could be a shoo-in for one of the five nomination slots if the film is Oscar-worthy in general.
The Oscar blog In Contention points out the possibility in a recent post celebrating Walker's reception Tuesday evening of the Kodak Vision Award at the Women in Film's Crystal + Lucy Awards (other honorees included Salma Hayek, Sherry Lansing, Ginnifer Goodwin, Jeffrey Katzenberg and Diane English and the ensemble of The Women). Clearly we only need to look at the trailer to see that Walker's work on the film is gorgeous and might have a shot. In Contention also notes Walker's previous achievements, such as her Independent Spirit Award nomination for Shattered Glass.
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So, who's going to San Diego Comic Con this year? Are you excited? Pumped up? Mildly interested? Pretending you don't care in order to impress someone of the opposite sex, but deep inside really do care and, as such, are counting down the seconds? It's okay, we're friends -- we can talk. This year, myself, Scott Weinberg and Elisabeth Rappe will be on the ground at Con representing Cinematical, and I think I speak for all of us when I say we're ready to get our geek on. 
Will.i.am, one of the biggest casting surprises in X-Men Origins: Wolverine has come forward to 
For the Silver Surfer fans dying to see his spin-off movie, this will come as a bitter disappointment. AMC's 
I guess we won't be seeing the first female President of the United States in 2009, but we could at least see the first female cinematographer nominated for an Academy Award (in the cinematography category, that is). In the 80 years of the Oscars there hasn't been one female nominee for Best Cinematography. Shocking, isn't it? But fortunately there's a chance for next year's ceremony: 
